Graduated at the Philip Radice’s Physical Theater Atelier, from 2009 I propose shows including mime, cabaret, buffoon, clown and eccentric theatre. I played bass guitar in various rock bands too (5 albums total), and I played also at the italian national TV and some films in little parts like actor.

My main target is to direct to experiment with new methods of acting trying to make them comical and it is directed to develope more accessible to everyone with more possible different drama languages, focusing on to realize it in an international way. For these reasons my productions reflect universal values and a timeless international approach. I try to do the best to create productions unusual and modern by means of conceptions and execution, (about the children shows and street shows too), we well know that the surprise is fundamental everytime, also in my musical productions.

Festivals in : Armenia, Bosnia, Croatia, Macedonia, Hungary, Finland, Moldova, Polska, Austria, Serbia, Turkey, France, Scotland, Bulgaria, Switzerland, Romania, Slovenia, Russia, Spain, Tunisy, Morocco, South Korea, Iran.

“Introduction to visual comedy” by Paolo Avataneo
Physical training until to remove knots in the physical and mind in order to more fully express themselves in different ways and trying little by little more unusual. It will also introduce the voice being used not only as an everyday language but also in new languages with neologisms such as onomatopeic, noises, gibberish, the music, also with body percussion and the various ways to use it and how to be „used“ by the music. The construction of the clownish and eccentric character with definitions struttutre of characters starting from the self and discovering little by little. Improvisations promp to a beginning of creation as much as possible „authentic and natural.“ The development of acquired knowledge to discover language and uses unpublished. The study of stage combat, how to make it funny and credible. The dramaturgy in that manner can be developed trying to define the most appropriate path for each and depending on the case. In the end, the creation of the beginnings of a performance group or individual trying to use and test the various techniques mimic musical interpretation.